不合时宜 | 孔千绘画三十年(1983-2016)

人体,特别是残缺的人体是他经常画的主题,尽管只有单纯的躯体,但作品的解读空间仍然非常开阔。这里面杂糅了画家多种表达诉求,一方面是画家进行造型研究的载体,另一方面也是画家对“肉”这一意象的深入体验,残缺感、腐朽性伴随着伤害、性欲、孤独、挣扎等方面的信息弥散在这些变了形的肢体上。这一切似乎在暗示人永恒的存在之苦,肉体生命的实在性与社会生活的冷酷性在身体这一脐带的两端形成了张力。

Human body, especial defected body is the subject matter he often paints. The body alone still offers a wide range of interpretations. It’s blended in the painter’s many expressive appeals. It’s one the on hand the carrier where the painter undertakes his modeling study, on the one hand the painter’s in-depth experience of the imagery “flesh”, and the sense of imperfection and corruption companied by injury, loneliness, struggle and other massages diffuse in these misshapen parts. All seem to suggest human’s eternal misery of existence, and the substantiality of physical life and the cruelty of social life form tension in the two ends of umbilical cord, namely body.

 

节选自《绘画何以如此复杂?——孔千绘画中的主题、感性与艺术本体》

 

撰文:王鹏杰

翻译:安妮译树工作室 & Jeff Crosby

出品:蜂巢当代艺术中心