深圳特区成立35周年艺术大展暨第一届深圳当代艺术双年展

 

所谓转境,即强调当下深圳语境的不同,特别是近五年来,深圳当代艺术发展很快,出现了许多不同于往的创作,问题的针对性相对较强。社会环境,艺术情境也变了,创作情境自然也发生变化,问题的针对性当然会发生转变。艺术语境也产生了不同的感觉。所谓位移,指的是,深圳艺术家在语境发生转变的同时,自我定位亦发生改变,自觉产生了新的艺术指向,视觉语言产生了新的叙述方式。以社会变化视角去考量深圳当代艺术,从中可以看见社会与现实基调的改变交替演进。

The so-called Neo-Circumstance, highlights the particularity of Shenzhen’s current context, especially in recent five years when Shenzhen’s contemporary art booms and gives life to many unconventional and strongly problem-targeted creations. Creational situations have naturally changed along with the changes of social environment and art situations, so has the pertinence of problems. Art context also produces new touches. The so-called Alteration, means, paralleled with the context changes, Shenzhen artists have changed their self-positioning, create new art orientations and fresh narratives in visual language. Considering Shenzhen’s contemporary art in the angle of social changes can reveal that the changes of society and that of realistic keynotes evolve alternately.

 

节选自《转境与位移——深圳当代青年本土艺术家交流展第三回论述》

 

 

撰文:陈向兵

翻译:安妮译树工作室

出品:深圳市美协艺术策划艺委会、上启艺术